Details on past participants of FUEL.
Head Up, Annie
Andrea is a Mayo actress and theatre maker with a B.A (hons) degree in Performing Arts and Theatre Studies from the University of Wales.
Her most recent acting credits include: Clara in Pygmalion by Bernard Shaw, directed by Liam Halligan for Smock Alley Theatre (summer 2016), Laura in Yes by Colette Cullen (Home You Go Productions 2016), Evelyn in Daughters of the Revolution by Kate Harris (4elements Theatre Company 2016), Ali in the Stewart Parker Nominated Wrapped by Tracy Martin (Red Bear Productions 2014-15) & the award winning It folds (Broken Talkers & junk ensemble) at the Peacock Theatre, (Dublin Fringe 2015).
She is the co-founder of Maylin Productions and has performed in several of their shows including, 60 minutes in Dublin Vol 1 & 2, (2013/2015) Unconditional (2015) Neighbours (2013), The Dead Woman’s Son (2012) & Men are from Stoneybatter, Women from Phibsboro (2010-2012).
In 2014, Andrea was awarded the Tyrone Guthrie Bursary from Mayo CC. During 2014 she also worked with Fishamble: The New Play Company as company production assistant and assisted on all their shows that year. She is a qualified drama facilitator having completed N.A.Y.D’s drama facilitation training and since qualifying she has worked with numerous different types of groups nationwide over the last few years.
Head Up Annie received development funding from the Arts Council Project Fund 2016.
Little John Nee
Little John Nee is a writer/performer based in Co. Galway in the west of Ireland. A prolific creator of work for theatre he was recently elected to Aosdána (established by the Irish Arts Council in 1981 to honour artists whose work has made an outstanding contribution to the creative arts in Ireland.
His style of storytelling theatre with music has won him international recognition and his play “Sparkplug” won an Irish Times Theatre Award for his sound design while the RTE radio version won a Special Mention Prize at the Prix Italia 2013. He has recently published a book of Haiku The Apocalypse came on a Friday and previously his A Donegal Trilogy was published by An Grianán Theatre. He has released an album of songs from his theatre shows recorded with The Caledonia Highly strung Orchestra, Songs from the Lough Swilly Delta
Little John Nee has been commissioned to write plays for Barabbas Theatre Company, Axis Ballymun, Scottish Touring Theatre Consortium, An Grianán Theatre, Earagail Arts Festival, Donegal Co. Council, Leitrim Co. Council, children’s plays for Galway Arts Festival and a radio play for RTÉ Radio Drama on One.
Radio Rosario premiered at the Mick Lally Theatre in 2017 and went on to Axis Theatre as part of Dublin Theatre Festival.
Wildebeest Theatre Company announced itself as a major creative force in theatre with ON THE WIRE, a haunting site specific production. Wildebeest colloborated with Terry O’Donovan (Dante or Die) to create ON THE WIRE which was nominated for Best Production at The Irish Times Theatre Awards in 2015. The work highlighted the company’s core principle: to create new & diverse work through a distinctive collaborative approach in unusual spaces.
In 2015 Wildebeest produced SEPARATION directed by Shane Whisker in Limerick’s Park Kiosk in association with Limerick City and County Council’s Park Kiosk Project and Fishamble’s New Play Clinic. Earlier works include TAN, a play about two girls getting ready for a night out & A DIFFERENT ANIMAL, a mysterious encounter written by Meadhbh Haiceid, both were part funded by Limerick Arts Office.
Wildebeest Theatre Company is based in Limerick city with Marie Boylan (pictured) as Artistic Director. Boylan is a graduate of Drama and Theatre Studies, Trinity College Dublin and has also been working as a freelance theatre artist in Limerick since 2010.
The Dinner Party
Liam is from Limerick. His plays include A Talent for Lying (Brighton Fringe, Camden Fringe, Dublin, Limerick) Alya: Falling (Collaborations, Dublin/Belltable, Limerick) and the radio play This Night (various Irish radio stations), among others.
Liam studied at Trinity College, Dublin, graduating in 2012. He also studied Drama and English at UC Berkeley, California. He started acting as a child with the Island Theatre Company in Our Town and has gone on to perform with many companies in Ireland, the UK, the USA and in Spain.
He co-founded Octopus Soup Theatre in 2013. He has worked as a drama teacher and as a facilitator with various schools and organisations both in Ireland and abroad. He currently works at the Ark, a cultural centre for children in Temple Bar and has recently taken part in The Next Stage Programme at the Dublin Theatre Festival. He writes about theatre for A Younger Theatre and Broadway Baby. When not talking about himself in the third person he spends his time pondering the difference between an “aspiring writer” and “an emerging writer” as he works as an occasional barman.
Artist name: Fionnuala Gygax
Project name: Hostel 16
Describe your project: Hostel 16 is an examination and interrogation of the Direct Provision system in Ireland and the conditions in which asylum seekers are expected to live in. Our project is theatrical and political, based on a play written by me, Seekers, which follows the stories of asylum seekers living in Direct Provision. The play focuses on the lack of privacy and claustrophobia within the world of the hostel, as well as boredom, depression, lack of independence, sexual frustration and abuse. Hostel 16 will incorporate elements of this script and also include new devised material based on further research and fresh discussions in the rehearsal room.
Hostel 16 went on to be produced at Dublin Fringe Festival and was nominated for a Stewart Parker Award.
The Inside Turn
Artist name: Martin Maguire
Project name: The Inside Turn
Describe your project: Unable to accept his shattered new identity, Toddledgy James escapes on an exhilarating journey through his past; when dance fed his soul and he still knew his mind. As his mother always said “if you loose the head the body is no good”. The Inside Turn, a physical rollercoaster, brim full of humor & poignancy.
My Poet Dark and Slender
Artist name: Róisín Stack
Project name: My Poet, Dark & Slender
Describe your project: I read a beautiful English translation of a Padraig O’Conaire story, M’fhile Caol Dubh, and wanted to adapt it for the stage. It’s a story about a woman who has an affair with a poet who is not all that he seems, so there’s a real air of suspicion, passion and tension that lends itself to a good show, but having said that I don’t just want to put this story on stage as it is, I want to pull it apart a bit and find an interesting, theatrical way of telling it.
My Poet Dark and Slender went on to full production in Galway Theatre Festival 2016.
TheatreRoom began in a living room and extended to the Town Hall Studio. The idea is simple: writers pitch their ideas to a room full of directors and actors. Companies are formed, a play is written and rehearsed in time for the next Theatre Room event. Each event features lots of short plays, with actors, writers and directors changing roles. TheatreRoom has taken place in houses, theatres and even shops.
Thereisbear! are a Galway-based theatre company. They were awarded the inaugural FUEL residency for 2014 and developed a new production, No Show.
Set around a big prestigious showband competition in January 1970, on a dancehall stage accompanied by a live band, No Show is a gripping journey through a dazzling period of Irish pop history.