
‘The Walworth Farce is as brilliant an original as you are likely to see in the theater this year’ The New York Sun
THE BIGGEST WORLD TOUR FOR A NEW PLAY IN RECENT THEATRE HISTORY.
The Australian and New Zealand leg of this extensive world tour is well underway and by time the production finally closes in Sydney this April there will have been 209 performances in 22 different cities across six countries. 627 cans of beer, 418 packets of pink wafers and 41 pints of Maureen’s ‘special blue sauce’ will have been used!
Read about how it started and where it’s going
One of the most innovative and thrilling playwrights of his generation, Enda Walsh is internationally celebrated for his exhilarating wordplay and the visceral power of his stories. His play The New Electric Ballroom, also presented by Druid, has enjoyed similar success at home in Ireland, in the USA, the UK and Australia.
It’s 11 o’clock in the morning in a council flat on the Walworth Road in London. In two hours time, as is normal, a father and his two sons will have consumed six cans of beer, fifteen crackers with spreadable cheese, ten pink biscuit wafers and one oven cooked chicken with a strange blue sauce. Enda Walsh’s ‘ferociously entertaining’ play combines hilarious moments with shocking realism and delivers an achingly tender insight into what happens when we become stuck in the stories we tell ourselves about our lives.
Listen to and watch behind the scenes interviews.
Druid would like to acknowledge and thank Eugene Downes and his team at Culture Ireland for their financial support and commitment to bringing The Walworth Farce on this world tour. Druid would also like to acknowledge the Arts Council for their financial support towards the original staging of this production.
Dinny
Michael Glenn Murphy
Sean
Tadhg Murphy
Blake
Raymond Scannell
Hayley
Mercy Ojelade
Writer
Enda Walsh
Director
Mikel Murfi
Set & Costume Designer
Sabine Dargent
Lighting Designer
Paul Keogan
Casting Director
Maureen Hughes
Production Manager
Eamonn Fox
Technical Manager
Barry O’Brien
Company Stage Manager
Sarah Lynch
Stage Manager
Paula Tierney (Ireland, UK, Canada & America)
Colm O’Callaghan (Australia & New Zealand)
Master Carpenter
Gus Dewar
Costume Supervisor
Doreen McKenna
Wigs and Make Up
Val Sherlock
Scenic Artist
Sandra Butler
‘The Walworth Farce is as brilliant an original as you are likely to see in the theater this year’
The New York Sun Apr 08
‘this play should go everywhere and be seen by everyone’
Village Magazine Apr 06
‘Druid’s superbly realised production, under the direction of Mikel Murfi, counterbalances comedy with tragedy in a production you’ll want to see again and again’
Metro Dec 08
★ ★ ★ ★ ★ ‘Enda Walsh’s Irish passion play is loud, mad and viciously theatrical. Its ranting virtuosity and exceptionally grounded performances make it remarkable’
Time Out Sep 08
‘The Walworth Farce moves at break-neck speed… underscored by Walsh’s bracing, black-as-coal wit’
Metro Dec 08
★★★★★‘ferociously entertaining’
The New York Times Apr 08
‘This is a passion play’
Time Out Sep 08
‘an unsettling but exhilarating blend of the hilarious with the horrifying’
The Irish Times Apr 06
‘An intoxicating evening’
The Guardian Sep 08
‘a theatrical experience that claws at the imagination for days afterwards’
Variety Apr 06
‘galloping gothic comedy out of Ireland’
The New York Times Apr 08
‘a formidable cast’
The New York Sun Apr 08
“cleverly constructed and brilliantly acted’
The Financial Times Sep 08
‘Walsh is a writer whose every line swaggers with imagination, humour, toughness or all three.’
The Times Sep 08
‘It is exhilarating to hang on for dear life on a ride through Mr. Walsh’s bold, original imagination’
The New York Sun Apr 08
‘Walsh is fast on his way to filling the space in the theater world momentarily vacated by Martin McDonagh while he focuses on film.’
Variety Apr 08
‘Enda Walsh effectively combines violence and humour’
tribunemagazine.co.uk Sep 08
‘Walsh is certainly an original, highly talented writer”
The Financial Times Sep 08
‘Mr Walsh…a writer who deserves to be better known in this country’
The New York Times – Ben Brantley Apr 08
April 14 – 24, 2010
Canberra Theatre Centre, AustraliaApril 7 – 10, 2010
Newcastle Australia - Civic TheatreMarch 25 – 27, 2009
Wellington, New Zealand - New Zealand Arts FestivalMarch 17 – 21, 2010
Wollongong - Illawarra Performing Arts CentreMarch 10 – 13, 2010
Adelaide, Australia - Adelaide FestivalMarch 3 – 7, 2010
Perth, Australia - Perth International Arts FestivalFebruary 23 – 27, 2010
Berkeley, USA - Zellerbach PlayhouseNovember 18 – 22, 2009
Los Angeles, USA - UCLA LiveNovember 11 – 15, 2009
Miami, USA - Adrienne Arsht CenterNovember 4 – 7, 2009
Chicago, USA - Chicago Shakespeare TheaterOctober 28 – Nov 1, 2009
Minneapolis, USA - Walker Art CenterOctober 21 – 25, 2009
Columbus, USA - Wexner TheatreOctober 16 – 17, 2009
Toronto, Canada - Harbourfront CentreOctober 6 – 10, 2009
Galway - Druid Lane TheatreSeptember 23 – October 2, 2009
Salford, UK - The LowrySeptember 15 – 19, 2009
Oxford, UK - Oxford PlayhouseSeptember 9 – 12, 2009
© 1975–2010 Druid Performing Arts Ltd. Trading as Druid. Co. Reg. No. 120786
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